Two children, Evered (maybe age 12) and sister Ada (maybe 10) are orphaned after the sudden deaths of their parents and infant sister. And they are isolated on a rocky cove somewhere on Newfoundland’s northern coast. They live in almost total isolation with only the visit of a supply ship twice a year. Crummey’s brilliant descriptions of their numerous hardships becomes a profound story of resilience. But the title of this book is perfect, as these children are total innocents because of profound ignorance through lack of adult human contact. Importantly there is the strong bond of loyalty between brother and sister which becomes complicated with the onset of puberty and emerging sexuality. This is a brilliant book that I hope will be a powerful contender for the Giller Prize.
This is a very satisfying mystery/thriller. Who would have a motive to murder an English teacher at a high school in the south of England? And then kill another teacher? All the major characters in the story are women: a mother & daughter and the investigating detective who is a single gay woman of colour. The “bad guy” is, as typical in this genre, someone who no reader will ever anticipate, making for a fun read.
I first read this amazing book about 30 years ago so a re-reading was in order as a prelude to her new book The Testaments. And simply put, the Handmaid’s Tale is a masterpiece. Atwood’s writing is perfect, a slow reveal of the horrors of the Gilead revolution: the rise of totalitarianism and religious fundamentalism, the loss of women’s rights and autonomy with rampant misogyny. Handmaids are possessed by men (Of Fred = Offred) as breeders and are not taught to read! It is chilling to realize that many of the regressive features of Gilead are happening now throughout the world. Atwood is a national treasure.
As a sequel to The Handmaid’s Tale, The Testaments is equally compelling but with a very different tone. Whereas The Handmaid’s Tale had a single narrator (Offred), The Testaments (set 16 years later) has three voices: two very different young women, one raised in Gilead and one raised outside, and the notorious Aunt Lydia. The resulting story is less introspective with more action, thus less reactive. The seeds of dissent are outlined clearly and logically with some Machiavellian motivations. This is a page turner, a completely engrossing read.
Ms. Tagaq is an Inuit throat singer and Polaris Prize winner in 2014. She can now add author to her artistic gifts. This is a remarkable first novel. There is the often difficult reality of living in Nunavut as a young person: endless summer sunshine, the dark and brutally cold winter, and human difficulties like substance and sexual abuse. And there is a magical imaginary component, sometimes based on dreams. Ms. Tagaq’s prose is accompanied by graphic poems and a few illustrations. Highly imaginative writing.
This story begins simply with the reading of the will of an often absent and thus mysterious husband/father. But there is an unusual condition in the will: the family must live for a month in an isolated forest lodge in the Pacific Northwest before they can inherit a substantial estate. What could go wrong? And there are surprises. And more surprises that increasingly seem sinister, until secrets produce fear and much more. Is every part of the Quinlan family life a fabrication? Brilliant writing.
Regular readers of this book blog know that I have a specific affection for introspective relationship books. This book by Ms. Ohlin is a perfect read, in my opinion. The story enters on two sisters, Lark and Robin, from their early childhood in Montreal and their complicated relationship with their mother Marianne, to adulthood in New York and the Laurentians. Lark is the main character, someone who hopes that silence will produce invisibility. The story contains vivid descriptions of art, music and film, motherhood and even wolves. The writing is divine; highly recommended.