This book is a logical sequel to Ms. Doolittle’s book Unfounded about the complexities and difficulties concerning the prosecution of sexual assault cases. The subtitle of this new book is “What’s fair in the age of #MeToo?”. Is #MeToo a moment or a substantial movement? The narrative contains a thoughtful discussion of difficult topics: rape culture that enables sexual violence, rape myths and stereotypes, the paramount issue of consent, due process, power and privilege and even redemption. This is a thought-provoking book – highly recommended.
An early Atwood treasure from the 1970s with beautiful descriptive writing – this description off a restaurant meal is on page 1: “two restaurants which served identical grey hamburger steaks plastered with mud gravy and canned peas, watery and pallid as fish eyes, and french fries heavy with lard”. Is your mouth watering? The narrator is an un-named young woman who travels to a remote lake in Northern Quebec with three friends, to seek her missing father. There is an eerily effective transition to sinister happenings, but the true gem of the writing is the unfiltered dialog in the narrator’s head: this story is both spooky and brilliant, a must read.
Given the current concern over a potential coronavirus pandemic, this remarkable book is prescient by capturing the mood perfectly of a contagion, specifically the chaos and confusion. In this story, individuals fall asleep and can’t be aroused; sleep is associated with a profound dream state and is fatal in many cases. This story is not about the medical/scientific search for the cause and cure; the focus is on residents caught in an eventual quarantine. Ms. Walker previously has captured the devastating consequences of an unexpected and unexplained catastrophe in her earlier (2012) book The Age of Miracles. A topical and riveting read.
Ms. Itani has written two superb books about an Ontario community coping with the aftermath of WWI, Deafening (2003) and Tell (2011). This story is about Hanova who learns in 1958 on her 18th birthday that she was adopted as a child. Itani’s exquisite writing is subtle and expressive: the beauty of ordinariness (much like Carole Shields and Alice Munro). Her description of a trip to a dance hall is perfect. Hanora’s life during WWII and her subsequent considerable success as a writer is a major focus of the book, along with her quest for information about her birth parents. Itani’s impeccable writing covers diverse topics like art and music; she is a national literary treasure.
This is a remarkable memoir where reality is stranger than fiction. The author was raised in the mountains of Utah. Her parents were survivalists and totally suspicious of government so she had no birth certificate and does not go to school. To say that she was home-schooled is rather generous; her learning is self-directed and spotty. Tara is the youngest of 5 children. Her life is complicated by a controlling father and a brother who bullies her both psychologically and physically. The second half of the book details her escape to university, first to Brigham Young University and then to Cambridge England. This is a compelling story of remarkable resilience but at great cost. The contradictions of memory are also a feature of a memoir that is so deeply emotional. Final comment: Westover’s parents make the parents in Jeanette Wall’s The Glass Castle seem wonderful by comparison! Thanks Erin and Amy, for this recommendation.
An imaginative look at time travel using 5 ancient machines of unknown origin, one of which in Flin Flon, Manitoba. Travellers can go back in time only; most of the action in this story takes place in 2022, 1992-93 and 1893-94. The goal is to alter the timeline, to reduce future misogyny and prevent the loss of female reproductive rights (think Handmaid’s Tale and The Testaments).This is a very entertaining blend of historical and speculative writing; highly recommended.
H.P. Lovecraft wrote horror fiction in the 1920-30s. This delightfully creepy story imagines that Lovecraft hires a personal assistant, Arthur Crandle, in 1936. Lovecraft is almost entirely absent in the story. Instead, Crandle is enveloped in increasing uneasiness, the sense of a vague presence, someone watching, a malevolence is a predictably creaky old house. Crandle has an inherent weak character, prone to deflection and deception and so he is susceptible to creepy suggestions. And not surprisingly, there may be a ghost. Ms. Baker writes in an old-fashioned prose, in keeping with the timeline. Wet miserable weather adds to the gloom – this is a fun and entertaining read.