Ms. Moore is a very fine writer (February, Caught) but this is her best book to date. A multi-generational story set in St. John’s creates a superb relationship book, of mothers mostly and children who are loved, neglected, lost and re-found. What makes a family? Do we ever really choose who we love? Warning: there is violence, a stabbing. And much of the story takes place in a legendary winter storm, a snow-mageddon! Overall: a rich tapestry of the sacrifice, pain and joy of loving, for tour-de-force storytelling.
A beautifully written story of a male-female relationship, a gentle evolution from friendship and desire to intimacy and love. It is also about vulnerability, about being seen and the overpowering burden of racism. Thanks Amy, for this recommendation.
There is much to admire in this first novel. First, it is a female relationship book that deals with gritty subjects: teenage pregnancy, suicide, and medically assisted death. And second, the setting is Newfoundland. Some core values: friendship and forgiveness, the decision to love and be loved.
This charming book is about complex family relationships – the good, bad and ugly. Astrid has three children and three grandchildren, and lives in the Hudson Valley in New York state. Astrid is somewhat closed and flinty: “She believed pets were useful only in teaching young children about death. She knew this was an unpopular opinion”. This multi-generational story is about delayed adolescence with some persistent poor decision making, but also about love and resilience. Finally, there are some inspired comic situations – highly recommended.
The first sentence of this fabulous books reads: “Some stories begin at the beginning and others begin at the end, but all the best stories begin in a library”. What’s not to love? This novel is Ms. Hoffman’s final book about magic, specifically witchery, aka the nameless art (previous books: Practical Magic, Rules of Magic, and Magic Lessons). Three generations of Owens women fight to break a 300-year-old curse, but the story is ultimately about love and sacrifice.
A superb relationship book: Allan and Byron have married the Winter sisters, Peggy and Annie, respectively. What is love and friendship in the face of manipulation? What is memory when confronted with dementia and suppressed recall? How much wilful disbelief accompanies work for someone who has criminal activities? This is a cracking good psychological thriller – highly recommended.
Clara, age 7, lives in Northern Ontario. It is 1972 and Clara has two responsibilities: to keep vigil for her runaway 16-year-old sister and to look after the cat in her neighbour’s house while Mrs. Orchard is in hospital. But then a strange man occupies Mrs. Orchard’s house! Three distinct storylines emerge, each with differing timelines, But this is Clara’s story: fear, love, resilience, a child’s imagination when truth is withheld. Lawson is a literary master; her previous book Crow Lake is equally compelling.
Ishiguro has been recognized as a great writer by receiving the Nobel Prize for literature. This new book is simply brilliant, in part because of a unique point-of-view. The narrator Klara is an Artificial Friend (AF, aka robot), with acute powers of observing and learning. She is acquired by Josie and must learn about friendship and the nuances of human behaviour: love, loneliness, sacrifice, what it means to be human. Klara is an AF/AI with empathy, to serve as a companion, to prevent Josie’s loneliness. Empathy is not achieved by programming but rather by machine learning. Overall, this is a compelling story about relationships; Klara has a special relationship with the sun (she is solar powered) which she logically tries to apply to humans. And typically (recall Never Let Me Go), Ishiguro introduces a single word in the text that is not explained for 200 pages, creating a mystery. Fantastic book, highly recommended. Finally, this is a very nice companion book to Machines Like Us by Ian McEwan.
This enchanting prequel to Practical Magic and The Rules of Magic takes place in the late 1600s as Maria Owens travels from England to Curacao and then to Salem, Massachusetts, and New York city. Her practice of witchcraft, the “Nameless Art”, follows a complex course from healing to the quest for love and yes, even revenge. Very rich characters with vivid imagery – highly recommended.