In the tributes to the late Richard Wagamese at literary festivals in Calgary and Vancouver, several Indigenous authors said that this book had a huge influence on their lives. Garnet Raven is a young child in an Ojibway-Anishanabe community in Northern Ontario. He is a victim of the sixties scoop, essentially a kidnapping, and so grows up without any sense of being an Indian. In fact, there are some hilarious instances of his attempts at cultural appropriation. After 20 years, he is reunited with his family and begins to lean the Indian way with an elder named Keeper. It is easy to understand why this book, published in 1993, became so important to Indigenous youth. This book should be essential reading for everyone, to appreciate a way of living in harmony with the land and the important of silence, of a slow pace of life and a solid sense of humour.
A graphic and powerful story of five indigernous children who have experienced Residential Schools, especially the aftermath on their post-school lives. Some tragic endings, some examples of resilience. This book should be assigned reading for those who dismiss the Residential School tragedy and for those who acknowledge hardship but then suggest that “survivors” should just get over it.
This short book by an Indigenous author is amazing for many reasons. First there is a mystical element for sure. But mostly the story is notable for describing an emotional state: the moment when 10- and 12-year-old children realize that life can be cruel and unfair; their abrupt loss of innocence is coupled with the realization that their parents and people in authority are powerless to circumvent an injustice. This story will produce tears and at times a heartbreaking sadness so be warned but endure and read this remarkable book.
Brilliant story-telling about a Metis woman’s search for her husband, a quest complicated by the sinister presence of a rogarou, a man/dog monster. And there is a travelling missionary tent show using the historical role of religious conversion to steal land and resources from Indigenous people. Finally, the book becomes a flat-out thriller. Very strong writing, better than The Marrow Thieves.
Ms. Tagaq is an Inuit throat singer and Polaris Prize winner in 2014. She can now add author to her artistic gifts. This is a remarkable first novel. There is the often difficult reality of living in Nunavut as a young person: endless summer sunshine, the dark and brutally cold winter, and human difficulties like substance and sexual abuse. And there is a magical imaginary component, sometimes based on dreams. Ms. Tagaq’s prose is accompanied by graphic poems and a few illustrations. Highly imaginative writing.
This wonderful book, published in 2008, is one of Wagamese’s best. The story centres on four homeless people, two of which are Indigenous. Their street life is altered dramatically when they accidentally find a winning lottery ticket for $13.5 million: talk about “and now for something entirely different”! ‘The evocative story line weaves between the altered present and their backstories. This book has a wider scope than Wagamese’s other fine books which mainly focus on indigenous characters. The development of trust when they were homeless and how their life is altered after the lottery win makes this a story of family, how families can (and can’t) cope with stress due to altered circumstances. And spoiler alert: the ending will bring you to tears. Thanks Katharine, for this recommendation.
Thumps DreadfulWater (wonderful name) is a Cherokee ex-cop trying to live a quiet life in a small town in Montana. 
This is the continuing story of Frank Starlight. Much of the story is quiet and contemplative, describing how to live as one with the land through solitude and your senses (sight, hearing). The result is healing and redemption, expressed in two very different lives. The story was unfinished at the time of Wagamese’s death in March 2017 but the conclusion is evident. This is just masterful story-telling, a final fitting legacy for a remarkable author.