This is a remarkable memoir where reality is stranger than fiction. The author was raised in the mountains of Utah. Her parents were survivalists and totally suspicious of government so she had no birth certificate and does not go to school. To say that she was home-schooled is rather generous; her learning is self-directed and spotty. Tara is the youngest of 5 children. Her life is complicated by a controlling father and a brother who bullies her both psychologically and physically. The second half of the book details her escape to university, first to Brigham Young University and then to Cambridge England. This is a compelling story of remarkable resilience but at great cost. The contradictions of memory are also a feature of a memoir that is so deeply emotional. Final comment: Westover’s parents make the parents in Jeanette Wall’s The Glass Castle seem wonderful by comparison! Thanks Erin and Amy, for this recommendation.
This is an emotional book, a coming-of-age story with an inevitable loss of innocence. Kya is progressively abandoned by her family, so by age 10 she lives alone in a North Carolina marsh. Really this is about the psychology of solitude. Her affinity for the natural environment, the sea, sand and marsh life (birds, insects, animals), is remarkable. But her eventual need for human companionship and love produces a tragic outcome that leads to a murder trial. This book is both a fierce and hauntingly beautiful story of challenges and resilience. Highly recommended.
This is a superbly-written relationship book. The story covers four years in the lives of Connell and Marianne, one year at high school in the west of Ireland followed by University at Trinity College in Dublin. Rooney’s writing illustrates perfectly that relationships are complicated even between two people with undeniable chemistry, complications by miscommunication and misperception of feelings. There is also emotional paralysis by expectations of inadequacy and not belonging. Connell and Marianne are very different people from different backgrounds, resulting in feelings of isolation and disconnection. This is a great book, better than her first book Conversations With Friends.
This intriguing novel begins in 1969 when four siblings (13, 11, 9 and 7 years-old) consult a psychic who allegedly tells them individually the day of their death. What follows is a narrative of each sibling that asks a series of questions. What is the nature of belief? Can fate be pre-ordained? What is the line between destiny and choice? Is there a link between reality and illusion? Is there real magic? At its core, this is a family love story even though the siblings appear to be remarkably different, creating complicated complex characters. This is very imaginative story-telling.
Ms. Tagaq is an Inuit throat singer and Polaris Prize winner in 2014. She can now add author to her artistic gifts. This is a remarkable first novel. There is the often difficult reality of living in Nunavut as a young person: endless summer sunshine, the dark and brutally cold winter, and human difficulties like substance and sexual abuse. And there is a magical imaginary component, sometimes based on dreams. Ms. Tagaq’s prose is accompanied by graphic poems and a few illustrations. Highly imaginative writing.
Note: The Magicians trilogy by Lev Grossman is from a list of recommended books about magic by Erin Morgenstern, author of the fabulous The Night Circus. More than half of this first book is about a magic school but this is not Hogwarts: the school is in upper New York state and the students are older (post-high school) so they indulge in young adult activities like drinking and sex, making for complicated relationships. There are two difficulties: learning magical incantations is very hard (wands are for sissies) and there is an existential dilemma – what is the purpose of magic in a modern world? This latter issue is addressed by the young magicians entering a fantasy realm, one described in fiction books and thought to be entirely imaginary; all the magicians have read the books about the magical world of Fillory when they were young children. This is where imaginative adventures occur with violence and a significant body count. So this book offers a very different treatment of magic compared to Harry Potter books, but is equal entertaining.
This is a short but meaningful book about two widowed people in their 70s who are willing to take a risk, to start a relationship based on gentle companionship. The storytelling has a wonderful authentic simplicity: “they ate a supper of macaroni and cheese casserole and iceberg lettuce with Thousand Island dressing and canned green beans and bread and butter and iced tea from an old heavy glass pitcher and there was Neapolitan ice cream for dessert”. They key feature in this book is the recognition that relationships, at any age, are complicated but especially for older people in the 70s and yet they have the courage to try, to see what happens.Thanks Karen, for this recommendation.