Two near 60-year-old men meet in Dublin pubs to reminisce, so this is the epitome of a “guy” book. Early in the book it is stated: “There is a reason why men do not talk about their feelings. It’s not just that it is difficult, or embarrassing. It’s almost impossible. The words aren’t really there.” And yet, Joe wants to share a secret; Davy listens and withholds a personal secret. What follows is an inarticulate but profound examination of friendship, memories, and mortality, and love in many forms. This is Doyle at his best.
Given my predilection for angst-filled introspective relationship books, it is always a delight to read something entirely different. It is England in the 1940s: a disparate group of 8 people create a local Jane Austen society to preserve Austen’s home and legacy. Much debate ensues about favourite Austen characters (Emma versus Elizabeth Bennett). And delightfully the relationships between some of the 8 society members plays out like an Austen plot. In short, a thoroughly charming book.
This is a superb introspective relationship story. Priya and Alexandra have a six-year marriage that is disrupted by the impending visit of Prakash, a long-time friend of Priya’s. What are Prakash’s motives for this visit? Why has Priya been withholding information on the significance of this friendship from Alex? And why can memories between friends be so selectively remembered and interpreted? A bit gloomy but overall an excellent read (on the Giller long-list).
The Nickel Academy was a notorious reform school in Florida; young African-American boys could be assigned for months-years for trivial reasons. And they were subjected to horrible abuse: beatings, sexual assault, etc. The story focusses on two boys in the early 60s, Elwood and Turner, who have remarkably different viewpoints. Elwood has ideals based on the words of Martin Luther King; Turner is a cynical schemer. Which boy is more likely to survive the Nickel nightmare? The Jim Crow era in the South in the 1960s has evils that are perpetuated in the current #BLM times. Whitehead won the Pulitzer Prize for his previous book The Underground Railroad: both are highly recommended.
Simply put, this is a brilliant book, one of Atwood’s best. Three women (Tony, Charis and Roz) are each linked to Zenia, a brilliant and beautiful woman who is manipulative and ruthless. Over three decades, Zenia exerts considerable damage by creating really toxic relationships, but all three women remain in thrall, under a spell, beguiled. Even though Zenia’s lies and cons become obvious she somehow retains their sympathy while betraying their trust and treating male partners as loot. Fantastic story-telling.
Elaine, a middle-aged painter who lives in Vancouver, returns to Toronto (where she grew up) for a retrospective show of her paintings. This causes her to reminisce about her life. The entire book is great but for me, the first 1/3 is perfect. Atwood wonderfully captures the relationships between 8- to 10-year-olds, alternating between friendships and toxic competitions. School with corporal punishments and skipping grades, shopping and shoplifting things at Woolworths. And how children acquire (mis)information in an era when parental communication was non-existent. Another gem.
This is a superbly-written relationship book. The story covers four years in the lives of Connell and Marianne, one year at high school in the west of Ireland followed by University at Trinity College in Dublin. Rooney’s writing illustrates perfectly that relationships are complicated even between two people with undeniable chemistry, complications by miscommunication and misperception of feelings. There is also emotional paralysis by expectations of inadequacy and not belonging. Connell and Marianne are very different people from different backgrounds, resulting in feelings of isolation and disconnection. This is a great book, better than her first book Conversations With Friends.
As a sequel to The Handmaid’s Tale, The Testaments is equally compelling but with a very different tone. Whereas The Handmaid’s Tale had a single narrator (Offred), The Testaments (set 16 years later) has three voices: two very different young women, one raised in Gilead and one raised outside, and the notorious Aunt Lydia. The resulting story is less introspective with more action, thus less reactive. The seeds of dissent are outlined clearly and logically with some Machiavellian motivations. This is a page turner, a completely engrossing read.
A detailed account of a friendship between two Korean women who are part of a woman’s diving collective (Haenyo) on a Korean island. The story begins in 1938, then progresses through the Japanese occupation prior to and during World War II. Their friendship is ruptured by an act of atrocity; the post-war years leading to the Korean War are filled with hardships. The latter part of the book is a poignant recalling of broken trust and how difficult it is to achieve reconciliation and grant forgiveness. This is a profound story of women who are powerful in the sea but overcome by extreme forces on land. The history of Korea, especially the post-war chaos, makes for a powerful book.