Humphreys is a great writer (Nocturne, The Evening Chorus, The Lost Garden). Her new book is fascinating because the first half is a personal account of her writing process: start with an idea, in this case an obituary of a reclusive Scottish woman who was a renowned salmon-fly dresser. Humphreys describes the essential questions: What is the story? Whose Story is it? How are you going to tell the story? The second half of the book is the imagined life of the Scottish woman; very entertaining.
A story of two women in contemporary Mumbai India who have a difficult life for three reasons: they are women, they are poor, and they are on their own. This is a powerful story of survival and the struggle to attain some degree of dignity.
This is the continuing story of Frank Starlight. Much of the story is quiet and contemplative, describing how to live as one with the land through solitude and your senses (sight, hearing). The result is healing and redemption, expressed in two very different lives. The story was unfinished at the time of Wagamese’s death in March 2017 but the conclusion is evident. This is just masterful story-telling, a final fitting legacy for a remarkable author.
A fascinating book set in three time periods: 1630s in Holland, 1958 in New York, and 2000 in Sydney. The story divulges impeccable information on art and art forgery, provided in the context of a mystery of how an original painting and its forged copy come to be reunited. Thanks Amy for giving me this book.
Smith’s first book about Tilly (Tilly: A story of Hope and Resilience) was largely about recovery from addictions. This second book has Tilly driving eight Indigenous elders from Canada to a pow-wow in Albuquerque. Along the way, each of the elders has a bucket-list destination. There is both laughter and tears in this unashamedly sentimental book with significant insights into Indigenous spirituality. The spectre of residential school abuse looms in the background of some of the elders, but the story is mainly about resilience.
Amy notes; we saw her speak at the Vancouver Writers Fest.
Simply put, this is a superb book. The setting is universal, a small forest town in decline, where all the town’s hopes and aspirations are placed on the 17-year old shoulders of the boy’s hockey team. Importantly, the story is so much more than sports competition, the emotions of winning and losing. In fact, winning in hockey is the benchmark for success of the entire town; in essence, the future of the town depends on winning at hockey so the stakes are incredibly high. And then a sexual assault tears the town apart. The book explores with great insight many key relationships: coach and team, teammates pledging unwavering loyalty, husbands and wives and their children. It is unexpected to have a discussion on sorrow and longing but the book is rich in philosophical musings. Backman also uses foreshadowing very effectively. Highly highly recommended.
This Giller short-listed book by a Quebec author is hard to describe. It is epic story-telling told with great detail, so there is much content about many many topics. Sometimes I wished that some of the content had been edited out as this is a very long book. Part of the book takes place in Quebec and it is very French-Canadian, with complex family dynamics, wicked nuns, etc. The last half takes place in Berlin and Rome, albeit with characters that are linked by family to the first part of the book. The Lamontagne family is always surprising; the writing is imaginative and often dark.