Sometimes speculative fiction creates entire new fantastical worlds. In other examples, like this book, a paradoxical provocation is introduced to a familiar world, in this case England about a century ago. The novel aspect in this story is that evil in thought or deed is manifested by the emanation of smoke from bodies. This produces a class distinction or separation; the upper class aristocrats and gentry generally do not smoke but the lower working classes are drenched in smoke that becomes a dense soot. So London becomes a particularly dark place. The protagonists are three young people exposed to lies, secrets and increasing violence and treachery. The crucial issues: rich versus poor, political differences, right versus wrong, love versus lust, and lots of guilt. This is very fine writing, reminiscent of some of Stephen King’s best stories.
Washington Black is an 11 year old slave in Barbados in 1832; his life is cruel. A chance encounter with the brother (nicknamed Titch) of his Master changes his life entirely. In fact, one of the strongest features of this impeccably written historical fiction is that it is impossible to predict how the story will progress. Washington makes an incredible escape from Barbados with Titch, and then makes journeys to the Arctic, Nova Scotia and England over the next 7 years. The relationship between Wash and Titch unfolds in an unexpected fashion, and there are rich details about marine biology and painting. This is tour-de-force writing from the Giller Prize-winning author of Half Blood Blues, who will undoubtedly be a strong contender for this year’s Giller.
Ms. Atkinson has written an attractive spy thriller and mystery, set in 1940 and 1951. Given Atkinson’s past books, then it is no surprise that the story unfolds in a non-linear format. Juliet is recruited to MI5, and the resulting story is very English with regular tea providing comfort and solace to characters named Peregrine and Prendergast. Much like George Smiley in the legendary Le Carre novels, people in Atkinson’s story appear normal and ordinary, but nothing will be as it seems. This is a very entertaining book with some well-timed plot twists.
The fourth Cormoran Strike book has a complex plot and, as in previous books, the evolving relationship between Cormoran and his associate Robin is central to the story. In many ways, this is a superb procedural book: how are clues discovered and interpreted? The procedural emphasis is reminiscent of Michael Connelly’s detective Harry Bosch. But the real joy in this Galbraith book is how Cormoran and Robin interact, how ideas and theories are discussed and debated (much like Inspector Lynley and Havers in the E. George mysteries). Both characters are completely dissimilar and have some significant human frailties that are often endearing. Finally the choice of certain words requires the use of a dictionary, a delicious practise that I find completely satisfying. Violence is minimal; this is an excellent book about plot and motive.
This may be the 20th Inspector Lynley mystery book and they are a continuing joy to read. At about 700 pages, the story is rich in detail. The portrait of the English countryside (Ludlow) is impeccable, as always. But the core of this novel is the unlikely partnership of the urbane and cultured Lynley with the impulsive Barbra Havers, his assistant. Their repartee as they investigate a crime is simply wonderful to read. And until 8 pages from the end, there is only a single death so a nice change from crime books about brutal serial killers with more detail than one would like about blood spatter analysis.
This is a terrific fantasy novel, set in London in 1819. Except that there are 4 versions of London, completely different worlds so multiple parallel universes. A small number of magicians can travel between the different Londons, but there is black magic and tragedy. Full disclosure, there is a significant kill count with collateral damage to some very sympathetic characters (the kindly innkeeper, for example), so this is not Harry Potter magic. Best of all, there is a great character called Lila, a feisty pick-pocket and wannabe pirate. This is a very imaginative and enjoyable read that is often philosophical; thanks Amy for this recommendation.
This is a fascinating book. The central character is never named: she is an author, divorced with two sons, and renovating a new home in London. Almost nothing else is revealed in the book. She listens carefully to conversations and sometimes asks cogent questions so we learn much about the speaker but nothing about the listener. Many conversations are wonderfully philosophical. The writing is elegant: “Amanda has a youthful appearance on which the patina of age was clumsily applied, as if rather than growing older, she had merely been carelessly handled like a crumpled photograph of a child.” There is also a wonderful description of authors attending a literary festival. This book (Giller short-listed) is much better than her previous book Outline (also a Giller finalist in 2015).