This is a really excellent novel set in contemporary England. The core of the story is a complicated mother-daughter relationship but it is much more: the use of a private language and a river creature and supplemental characters. The timeline is an interesting feature of the story telling. Johnson’s writing reminds me of Sarah Winman, so high praise.
This is an early book of Ms. Waters (1999). The setting is England in 1873-74. Margaret Prior, a 29 year-old woman with a troubled past decides to preoccupy herself with good deeds by visiting women prisoners in at Millbank, a notoriously dark and evil prison. There she becomes entranced by a spiritualist, Salina Dawes. The story slowly and inexorably become one of obsession and almost possession, and has a cracking good ending. This book is from a VPL list of “books that broke our hearts”.
Hurray, Ms. Atkinson has written a fourth Jackson Brodie novel, a much anticipated gift to the detective-mystery genre. Brodie is in North Yorkshire and has time to be unusually introspective, often with hilarious internal dialog punctuated by pithy comments (in parentheses) from ex-partner Julia. The first third of the book is all character development, a rich cast of quirky individuals. Indeed, the first crime does not occur until the end of 100 pages. The story does take a gritty look at topical themes, from child abuse to human trafficking. Brodie is a delightful character and this book is a must-read!
Sometimes speculative fiction creates entire new fantastical worlds. In other examples, like this book, a paradoxical provocation is introduced to a familiar world, in this case England about a century ago. The novel aspect in this story is that evil in thought or deed is manifested by the emanation of smoke from bodies. This produces a class distinction or separation; the upper class aristocrats and gentry generally do not smoke but the lower working classes are drenched in smoke that becomes a dense soot. So London becomes a particularly dark place. The protagonists are three young people exposed to lies, secrets and increasing violence and treachery. The crucial issues: rich versus poor, political differences, right versus wrong, love versus lust, and lots of guilt. This is very fine writing, reminiscent of some of Stephen King’s best stories.
Washington Black is an 11 year old slave in Barbados in 1832; his life is cruel. A chance encounter with the brother (nicknamed Titch) of his Master changes his life entirely. In fact, one of the strongest features of this impeccably written historical fiction is that it is impossible to predict how the story will progress. Washington makes an incredible escape from Barbados with Titch, and then makes journeys to the Arctic, Nova Scotia and England over the next 7 years. The relationship between Wash and Titch unfolds in an unexpected fashion, and there are rich details about marine biology and painting. This is tour-de-force writing from the Giller Prize-winning author of Half Blood Blues, who will undoubtedly be a strong contender for this year’s Giller.
Ms. Atkinson has written an attractive spy thriller and mystery, set in 1940 and 1951. Given Atkinson’s past books, then it is no surprise that the story unfolds in a non-linear format. Juliet is recruited to MI5, and the resulting story is very English with regular tea providing comfort and solace to characters named Peregrine and Prendergast. Much like George Smiley in the legendary Le Carre novels, people in Atkinson’s story appear normal and ordinary, but nothing will be as it seems. This is a very entertaining book with some well-timed plot twists.
The fourth Cormoran Strike book has a complex plot and, as in previous books, the evolving relationship between Cormoran and his associate Robin is central to the story. In many ways, this is a superb procedural book: how are clues discovered and interpreted? The procedural emphasis is reminiscent of Michael Connelly’s detective Harry Bosch. But the real joy in this Galbraith book is how Cormoran and Robin interact, how ideas and theories are discussed and debated (much like Inspector Lynley and Havers in the E. George mysteries). Both characters are completely dissimilar and have some significant human frailties that are often endearing. Finally the choice of certain words requires the use of a dictionary, a delicious practise that I find completely satisfying. Violence is minimal; this is an excellent book about plot and motive.