An odd couple makes a trip to Nice France. Noah is a 79-year-old recently-widowed childless retired University professor; Michael is his 11-year-old great-nephew who Noah has never met. Their wildly disparate backgrounds create both considerable conflict and humour as they investigate a series of World War II photographs from Noah’s mother. This is a wondrously written story of love, loss and family.
This is a sublime sequel to Ms. Strout’s exquisite Pulitzer Prize-winning Olive Kitteredge. Olive remains a somewhat difficult, direct, honest but unfiltered and often irascible character. Her relationship with her second husband, her son from her first marriage, and the townspeople in a seaside town in Maine are, not surprisingly, complicated but entertaining. The stories show a delightful ordinariness of people. And finally, the book has a powerful treatise on ageing and (the lack of) self-awareness. A superb read.
Patsy is a single mother adrift in Jamaica in 1998. When she gets a visa to visit America, she grasps the opportunity to choose herself first, to pursue her dreams and aspirations. However this means abandoning her 5 year-old daughter Tru. Over the next decade, Patsy has to endure the scary realty of being an undocumented individual in Brooklyn. And finally, to paraphrase a statement in the recent Mr. Roger’s movie, it is often tremendously hard to forgive those who you love but have disappointed you. Excellent dramatic writing.
The most important character in this novel is Alaska: majestic beauty coupled with destructive danger. Be warned, Alaska can kill with brutal cold dark winters and savage wild animals. The key plot element in this book is the people that Alaska attracts: rugged individuals, survivalists and some crackpots. The Allbright family travels to Alaska in 1974, woefully unprepared for the harshness of life and survival. What follows is an angst-filed drama that sometimes can approach a soap opera story but the context of Alaska overcomes some plot issues.
This intriguing novel begins in 1969 when four siblings (13, 11, 9 and 7 years-old) consult a psychic who allegedly tells them individually the day of their death. What follows is a narrative of each sibling that asks a series of questions. What is the nature of belief? Can fate be pre-ordained? What is the line between destiny and choice? Is there a link between reality and illusion? Is there real magic? At its core, this is a family love story even though the siblings appear to be remarkably different, creating complicated complex characters. This is very imaginative story-telling.
This is a deceptively simple and subtle book about family. The key characters are siblings, Danny and Maeve. There are some astonishing acts of cruelty in their early life but also acts of transcendent kindness. Danny is someone who lacks introspection – he commits to a task like learning chemistry with dogged determination; liking the subject is irrelevant. Unfortunately, he applies the same approach to his relationships, i.e. his wife, so love and happiness are non-factors in his relationships. His true happiness is only expressed to and with Maeve. Consequently, forgiveness is difficult for him, a fact that will complicate his life. Like most of Patchett’s writing, this is very fine story-telling.
Regular readers of this book blog know that I have a specific affection for introspective relationship books. This book by Ms. Ohlin is a perfect read, in my opinion. The story enters on two sisters, Lark and Robin, from their early childhood in Montreal and their complicated relationship with their mother Marianne, to adulthood in New York and the Laurentians. Lark is the main character, someone who hopes that silence will produce invisibility. The story contains vivid descriptions of art, music and film, motherhood and even wolves. The writing is divine; highly recommended.