Sometimes a book can provide a perfect reading experience, a confluence of literary merit and also the receptivity of the reader. Godwin’s book was a perfect read for me. Marcus, an 11 year-old boy, has to live with his Great Aunt after the accidental death of his mother. His Great Aunt is a stranger, a painter who lives on a beach in South Carolina. Given the circumstances and his inherent inclinations, Marcus is wildly self-absorbed and introspective despite his young age. His journey through the summer, largely left to his own devices, is remarkable, both compelling and profound. This is a great read, see also Godwin’s previous book Flora.
Thumps DreadfulWater (wonderful name) is a Cherokee ex-cop trying to live a quiet life in a small town in Montana. Thomas King is a very fine writer (The Back of the Turtle, An Inconvenient Indian) so the writing is much better than the average murder mystery. King captures the world-weary aspect of DreadfulWater, how a mind can wander and then snap back into focus. Now I am going to read the first three books in this series.
De Mariaffi was a discovery at the Calgary WordFest in October 2018. This is a very fine mystery because of the context: upper state New York in 1956. There is an early sinister feeling in the book that develops effortlessly. Heike’s husband is very controlling but this was just typical of men in the 1950s. Or is it something more? Or is Heike delusional? The mystery deepens …..
Grady was a Calgary WordFest author. His book is set in 1850s America, about slavery and abolitionists. A cracking good court case is at the end of the book, about the illegality of of miscegenation: marriage between white and black races. There is a haunting phrase that is repeated in the book: “some things are forgotten but nothing is ever forgiven”.
A fascinating book set in three time periods: 1630s in Holland, 1958 in New York, and 2000 in Sydney. The story divulges impeccable information on art and art forgery, provided in the context of a mystery of how an original painting and its forged copy come to be reunited. Thanks Amy for giving me this book.
Smith’s first book about Tilly (Tilly: A story of Hope and Resilience) was largely about recovery from addictions. This second book has Tilly driving eight Indigenous elders from Canada to a pow-wow in Albuquerque. Along the way, each of the elders has a bucket-list destination. There is both laughter and tears in this unashamedly sentimental book with significant insights into Indigenous spirituality. The spectre of residential school abuse looms in the background of some of the elders, but the story is mainly about resilience.
Amy notes; we saw her speak at the Vancouver Writers Fest.
Orange is one of a group of impressive Indigenous authors introduced to me during the Calgary Word Fest. This is a superb first novel with intersecting characters assembling in Oakland for a Pow-wow. These individuals have links to the Cheyenne and Arapaho tribes of Oklahoma but their Indian identity is very limited: these are urban Indians. For example, a young boy, Orvil Red Feather, learns pow-wow dancing from YouTube videos. The intersecting multi-generational story-lines can be complicated to follow sometimes because of uncertain or unknown parentage, but the culminating climax is presented powerfully. This is excellent story-telling about identity, violence and recovery, of belonging and un-belonging, loss and hope.