Grady was a Calgary WordFest author. His book is set in 1850s America, about slavery and abolitionists. A cracking good court case is at the end of the book, about the illegality of of miscegenation: marriage between white and black races. There is a haunting phrase that is repeated in the book: “some things are forgotten but nothing is ever forgiven”.
Category: United States
The Last Painting of Sara de Vos – Dominic Smith
A fascinating book set in three time periods: 1630s in Holland, 1958 in New York, and 2000 in Sydney. The story divulges impeccable information on art and art forgery, provided in the context of a mystery of how an original painting and its forged copy come to be reunited. Thanks Amy for giving me this book.
Tilly and the Crazy Eights – Monique Gray Smith
Smith’s first book about Tilly (Tilly: A story of Hope and Resilience) was largely about recovery from addictions. This second book has Tilly driving eight Indigenous elders from Canada to a pow-wow in Albuquerque. Along the way, each of the elders has a bucket-list destination. There is both laughter and tears in this unashamedly sentimental book with significant insights into Indigenous spirituality. The spectre of residential school abuse looms in the background of some of the elders, but the story is mainly about resilience.
Amy notes; we saw her speak at the Vancouver Writers Fest.
There There – Tommy Orange
Orange is one of a group of impressive Indigenous authors introduced to me during the Calgary Word Fest. This is a superb first novel with intersecting characters assembling in Oakland for a Pow-wow. These individuals have links to the Cheyenne and Arapaho tribes of Oklahoma but their Indian identity is very limited: these are urban Indians. For example, a young boy, Orvil Red Feather, learns pow-wow dancing from YouTube videos. The intersecting multi-generational story-lines can be complicated to follow sometimes because of uncertain or unknown parentage, but the culminating climax is presented powerfully. This is excellent story-telling about identity, violence and recovery, of belonging and un-belonging, loss and hope.
Sing, Unburied, Sing – Jesmyn Ward
Ms. Ward previously wrote the excellent Salvage The Bones, and this new book is even better. The setting is Mississippi, a multi-generational family struggling to live, to love and to survive. Past atrocities live on in the form of ghosts. There are indelible portraits in this story: a thirteen year old boy trying to find his place in the world, his mother who is incapable of loving her children, his mixed-race grandparents. Powerful and evocative storytelling.
Speak No Evil – Uzodinma Iweala
This remarkable book is about two young people in Washington DC. Niro is a 17-year-old African-American who is graduating from High School and then on to Harvard. But Niro has a painful secret – he is gay, a wicked abomination to his conservative Nigerian parents. Niro’s best friend is Meredith but she is unable to provide Niro with the help and support that he needs. Niro is emotionally lost and conflicted with heartbreaking self-loathing and his relationship with Meredith comes to a tragic ending: powerful storytelling.
Little Fires Everywhere – Celeste Ng
This is a relationship book, a favourite topic for me. The story describes the relationship between two families in a Cleveland suburb. The key relationships are between the two mothers and their children. There are secrets and divided loyalties, free-living versus a life bound by rules, with a sub-plot of a custody battle that divides the community. Ms. Ng writes like Anne Tyler: deceptively simple writing that is incredibly perceptive – highly recommended, one of my best reads in 2018.
