In my comments of The Temptation of Forgiveness (May 2018), it was noted this was the 27th Inspector Brunetti book. Death at La Fenice is the first, written in 1992. This origin story is notable for its initial definition of Brunetti as a crime investigator: he works alone without computers or fancy forensics, he listens and thinks. His warm loving family life is featured here as in all the Leon books; there is a simply glorious account of a Monopoly game with his wife and children. Thanks Amy, for this delightful read.
After more than 20 Inspector Rebus books, the stories are as good as ever. This most recent book has a Rankin characteristic, a complex plot with two cold cases. A dazzling feature of the Rebus stories is that lies, deceit and corruption are pretty evenly divided between the police and the criminals. These Rebus stories are also becoming more philosophical as he ages and deals with the medical and moral consequences of a mis-spent life. Very entertaining.
Thumps DreadfulWater (wonderful name) is a Cherokee ex-cop trying to live a quiet life in a small town in Montana. Thomas King is a very fine writer (The Back of the Turtle, An Inconvenient Indian) so the writing is much better than the average murder mystery. King captures the world-weary aspect of DreadfulWater, how a mind can wander and then snap back into focus. Now I am going to read the first three books in this series.
De Mariaffi was a discovery at the Calgary WordFest in October 2018. This is a very fine mystery because of the context: upper state New York in 1956. There is an early sinister feeling in the book that develops effortlessly. Heike’s husband is very controlling but this was just typical of men in the 1950s. Or is it something more? Or is Heike delusional? The mystery deepens …..
A fascinating book set in three time periods: 1630s in Holland, 1958 in New York, and 2000 in Sydney. The story divulges impeccable information on art and art forgery, provided in the context of a mystery of how an original painting and its forged copy come to be reunited. Thanks Amy for giving me this book.
There are two key features in successful mystery thrillers: context and plot. In my opinion, context is often the most informative and dramatic element. This book is about two young women in two time-lines: THEN as high school students, and NOW, as post-doctoral researchers in a University medical research laboratory. Given my own background as a biomedical researcher, clearly the context is novel and appealing, the description of lab smells, the equipment, everything is described perfectly. But this is a book about relationships, in particular a friendship complicated by academic competition. And there are dark secrets: a key phrase repeated in the book is “You don’t have a self until you have a secret”. A key progression from dark secrets are lies and then paralyzing “Crime & Punishment” type guilt. Finally, this is a book about women. Highly recommended. Thanks, Karen, for this book suggestion.
The fourth Cormoran Strike book has a complex plot and, as in previous books, the evolving relationship between Cormoran and his associate Robin is central to the story. In many ways, this is a superb procedural book: how are clues discovered and interpreted? The procedural emphasis is reminiscent of Michael Connelly’s detective Harry Bosch. But the real joy in this Galbraith book is how Cormoran and Robin interact, how ideas and theories are discussed and debated (much like Inspector Lynley and Havers in the E. George mysteries). Both characters are completely dissimilar and have some significant human frailties that are often endearing. Finally the choice of certain words requires the use of a dictionary, a delicious practise that I find completely satisfying. Violence is minimal; this is an excellent book about plot and motive.