This is a very satisfying novel. First, the literary style is intriguing: long sentences with lots of commas and yet reading is smooth. Second, the subject matter is very topical; a dystopian future that begins in a localized fashion with two young lovers in an unspecified Middle Eastern location. Escalating conflict leads them to escape through doors that are portals to distant locations (London, Mykonos). Their future becomes uncertain in new lands that are overwhelmed by the arrival of increasing numbers of refugees/migrants like themselves. How do relationships survive when tested repeatedly – highly recommended.
Two African-American twin sisters grow up in rural Louisiana in the 1950-60s with a unique feature – they are very light-skinned. Eventually their lives separate because Stella chooses to live as a white woman. In the 1980s, the daughters of the estranged sisters (one black, one white) meet by chance. So this is a relationship book: twin sisters, mother-daughters, cousins. Of particular interest is the strained and curious relationship between the two cousins which drives the latter half of the story. This is a really excellent identity book with a story line that is never trite or stereotypical – highly recommended.
It is a tribute to Ms. Mandel’s skill as a writer (previous book, the brilliant Station Eleven) that a story about a Ponzi scheme in the economic collapse of 2009 can be both compelling and engaging. It is the psychology of fascinating inter-related characters that is so intriguing: the willingness to seize an opportunity, willful disbelief of reality (if it is too good to be true ..) because of delusions regarding wealth, the simultaneous paradox of knowing and not knowing. There is the enigmatic character of Vincent as a mysterious woman at the centre of the story. And there are hallucinatory ghosts in a spirit world. The story unfolds in a non-linear fashion but all loose ends are linked by the end of the book. Simply put, a great read.
A sweeping saga of four generations of the Greenwood family, told more or less backwards from 2038 to 1908. What is most interesting in the story-telling is that the Greenwood family is a construct. Two orphans are raised as “brothers’ but have no biological ties; a “daughter” is rescued and adopted into the family under mysterious conditions. Even the name Greenwood is an artificial construct, a name arbitrarily applied to the two (unrelated) orphans. The story has a strong ecological focus, from the dirty-thirties to a global ecological disaster called the withering in 2028. Very strong character, a vivid description of place – highly recommended.
Trigger warning: this a disturbing story about sexual abuse, an inappropriate and illegal relationship between a 42-year old teacher at a high school and a 15-year old female student. After a year, the young girl lies; she states that accusations of an inappropriate relationship are a fabrication by her and so she is expelled. Thus the teacher is not revealed as a manipulative pedophile because the young girl, a naive child really, protects him; she believes that the teacher loves her and that everything done to her was consensual. And when she turns 18, she re-initiates a relationship that proceeds on and off for 15 years! This is a complex telling of complicated relationships. Be prepared for some tough reading – the emotions are presented graphically and honestly. Given these warnings, this book should be required reading in this #MeToo era.
Simply put, this is a brilliant book, one of Atwood’s best. Three women (Tony, Charis and Roz) are each linked to Zenia, a brilliant and beautiful woman who is manipulative and ruthless. Over three decades, Zenia exerts considerable damage by creating really toxic relationships, but all three women remain in thrall, under a spell, beguiled. Even though Zenia’s lies and cons become obvious she somehow retains their sympathy while betraying their trust and treating male partners as loot. Fantastic story-telling.
Faye is a trophy wife living in a gilded cage in Stockholm. When her husband Jack discards her and humiliates her as part of a divorce after 10 years of marriage, Faye dedicates herself to revenge, to destroy Jack’s life. Her skills are a formidable intellects plus a bloody-minded willingness to use sex and violence as manipulative tools. Revenge is nothing other than problem solving after all. This is a provocative and contemporary betrayal and revenge novel in the #MeToo era. Lackberg is a master of Scandinavian psychological suspense thrillers.
An odd couple makes a trip to Nice France. Noah is a 79-year-old recently-widowed childless retired University professor; Michael is his 11-year-old great-nephew who Noah has never met. Their wildly disparate backgrounds create both considerable conflict and humour as they investigate a series of World War II photographs from Noah’s mother. This is a wondrously written story of love, loss and family.
