
Allende’s latest historical fiction novel follows two young Spanish people as they flee the Spanish Civil War in 1938. Roser is a pregnant widow; Victor is the brother of her deceased lover. Their flight to the French border is harrowing. Eventually they are chosen by the great Chilean poet Pablo Neruda to immigrate to Chile but must be married to qualify for the journey. Thus, a long caring relationship is initiated in a new country. A replay of the Spanish Civil War conflict is encountered by the military overthrow of the Allende government in 1973, another battle between freedom and repression. After a 12-year exile in Venezuela, Roser and Victor return to Chile which is their true home. This is an epic story told with Allende’s typical lucidity.



A graphic and powerful story of five indigernous children who have experienced Residential Schools, especially the aftermath on their post-school lives. Some tragic endings, some examples of resilience. This book should be assigned reading for those who dismiss the Residential School tragedy and for those who acknowledge hardship but then suggest that “survivors” should just get over it.
This is a very satisfying novel. First, the literary style is intriguing: long sentences with lots of commas and yet reading is smooth. Second, the subject matter is very topical; a dystopian future that begins in a localized fashion with two young lovers in an unspecified Middle Eastern location. Escalating conflict leads them to escape through doors that are portals to distant locations (London, Mykonos). Their future becomes uncertain in new lands that are overwhelmed by the arrival of increasing numbers of refugees/migrants like themselves. How do relationships survive when tested repeatedly – highly recommended.
Labyrinth is the 4th and final book in the Cemetery of Forgotten Books series. Context (time and place) is an important feature of Ruiz’ books and this is especially true of Labyrinth: Barcelona is presented as an eerie Gothic wonderland and 1959 features nefarious political and criminal activities. (And at 800 pages, there is lots of space for context!). Labyrinth features the enigmatic Alicia Gris as an investigator tasked with a missing person case, leading to much intrigue as secrets are revealed. And there is some shocking violence. This is a haunting story – highly recommended.
In 2010, a very old woman, Vivian, receives a letter with a question: “If you now feel comfortable telling me what you were to my father?” Thus begins a long remembering of Vivian’s life, starting in New York as a 20-year old in 1940. Vivian is the epitome of white privilege, a delightfully hedonistic person with self-deprecating humour. The description of the NY theatre scene in the 40s is fabulous. Overall a recounting of both strong and toxic female relationships for a completely entertaining story. Thanks Amy.