An intriguing speculative fiction story set in 1970-80s England. When Lauren dies accidentally at age 13, she reappears in an alternate reality; new lives also begin for her parents. Lauren has glimpses of her former lives, that she has slightly different mothers, for example. By her third life, these glimpses of her previous two lives become increasingly disturbing. This is an imaginative look at loss and grief.
I first read this amazing book about 30 years ago so a re-reading was in order as a prelude to her new book The Testaments. And simply put, the Handmaid’s Tale is a masterpiece. Atwood’s writing is perfect, a slow reveal of the horrors of the Gilead revolution: the rise of totalitarianism and religious fundamentalism, the loss of women’s rights and autonomy with rampant misogyny. Handmaids are possessed by men (Of Fred = Offred) as breeders and are not taught to read! It is chilling to realize that many of the regressive features of Gilead are happening now throughout the world. Atwood is a national treasure.
As a sequel to The Handmaid’s Tale, The Testaments is equally compelling but with a very different tone. Whereas The Handmaid’s Tale had a single narrator (Offred), The Testaments (set 16 years later) has three voices: two very different young women, one raised in Gilead and one raised outside, and the notorious Aunt Lydia. The resulting story is less introspective with more action, thus less reactive. The seeds of dissent are outlined clearly and logically with some Machiavellian motivations. This is a page turner, a completely engrossing read.
A sensational first novel for a number of reasons. The important characters are all women. Specifically, four women perfect a time travel procedure; there is no emphasis on technology, the reality of time travel is treated as a matter-of-fact occurrence. Instead, as the title indicates, the story is about the psychological consequences of time travel. Future versions of an individual can co-exist. How do you cope with knowledge about your future self: who you marry, how you die? And finally, the book contains a cracking good mystery. Very entertaining.
Sometimes speculative fiction creates entire new fantastical worlds. In other examples, like this book, a paradoxical provocation is introduced to a familiar world, in this case England about a century ago. The novel aspect in this story is that evil in thought or deed is manifested by the emanation of smoke from bodies. This produces a class distinction or separation; the upper class aristocrats and gentry generally do not smoke but the lower working classes are drenched in smoke that becomes a dense soot. So London becomes a particularly dark place. The protagonists are three young people exposed to lies, secrets and increasing violence and treachery. The crucial issues: rich versus poor, political differences, right versus wrong, love versus lust, and lots of guilt. This is very fine writing, reminiscent of some of Stephen King’s best stories.
A strange story set in a dystopian future. A feminist story for sure – all the strong characters are women. And thus it is a book about motherhood but in a completely novel and somewhat bizarre fashion: two mothers in an American suburb fight to protect those that they love, so a modern retelling of the literary classic Beowulf with suburban monsters. Sorry to offer such cryptic comments but this is a hard book to categorize and characterize, but excellent speculative fiction.
This is really excellent speculative fiction. Nora, an English graduate student, inadvertently crosses a portal into another remarkably different world, a world that is less technologically advanced but with MAGIC. This is an imaginative story of a truly different world. And we learn the difference between a wizard and a magician and how to distinguish real magic, with Jane Austen’s Pride & Prejudice having a prominent role in the story. Very entertaining.