I first read this amazing book about 30 years ago so a re-reading was in order as a prelude to her new book The Testaments. And simply put, the Handmaid’s Tale is a masterpiece. Atwood’s writing is perfect, a slow reveal of the horrors of the Gilead revolution: the rise of totalitarianism and religious fundamentalism, the loss of women’s rights and autonomy with rampant misogyny. Handmaids are possessed by men (Of Fred = Offred) as breeders and are not taught to read! It is chilling to realize that many of the regressive features of Gilead are happening now throughout the world. Atwood is a national treasure.
As a sequel to The Handmaid’s Tale, The Testaments is equally compelling but with a very different tone. Whereas The Handmaid’s Tale had a single narrator (Offred), The Testaments (set 16 years later) has three voices: two very different young women, one raised in Gilead and one raised outside, and the notorious Aunt Lydia. The resulting story is less introspective with more action, thus less reactive. The seeds of dissent are outlined clearly and logically with some Machiavellian motivations. This is a page turner, a completely engrossing read.
Inspector Esa Khattak and Sgt. Rachel Getty of the Canadian Community Policing (Ethnic Division) investigate a mass killing at a Quebec mosque. In addition to providing a really excellent murder mystery plot, this story is obviously topical in Canada but also topical world-wide given the New Zealand mosque attack. The issue of radicalization to white supremacy causes is treated intelligently. Khattak and Getty make a formidable team, much like Elizabeth George’s Lynley and Havers. A thoroughly enjoyable read.
Grady was a Calgary WordFest author. His book is set in 1850s America, about slavery and abolitionists. A cracking good court case is at the end of the book, about the illegality of of miscegenation: marriage between white and black races. There is a haunting phrase that is repeated in the book: “some things are forgotten but nothing is ever forgiven”.
A short essay on race relations, presented as an intimate letter to Chariandy’s 13-year old daughter. Chariandy’s family is mixed race; an especially poignant chapter entitled The Incident describes when his young son is confronted with the n-word on a school playground. This is very fine intelligent, thoughtful and introspective writing about a topic that remains critically important.
In 1922, Count Alexander Roskov, a member of the Russian aristocracy, is declared an enemy of the state and subjected to “house” arrest in the Hotel Metropol. The description of his demeanour and manners is exquisite and impeccable, hardly surprising for an author whose previous book was Rules of Civility. Alexander creates new and changing relationships with individuals who work in the hotel over the next 32 years. The prose illustrates beautifully the importance of virtues like loyalty. The Soviet Union undergoes dramatic change in this post-revolution period, so Alexander has to be adaptable. The most impactful change occurs when he becomes guardian of a 6-year-old little girl. This is a wonderful book with masterful writing, so a joy to read.
This first novel is an exemplary example of speculative fiction at its best. The story is complicated: time travel creating multiple alternate realities. And there is much philosophy about the nature of self, plus a love story to boot.