Ms. Tagaq is an Inuit throat singer and Polaris Prize winner in 2014. She can now add author to her artistic gifts. This is a remarkable first novel. There is the often difficult reality of living in Nunavut as a young person: endless summer sunshine, the dark and brutally cold winter, and human difficulties like substance and sexual abuse. And there is a magical imaginary component, sometimes based on dreams. Ms. Tagaq’s prose is accompanied by graphic poems and a few illustrations. Highly imaginative writing.
A sensational first novel for a number of reasons. The important characters are all women. Specifically, four women perfect a time travel procedure; there is no emphasis on technology, the reality of time travel is treated as a matter-of-fact occurrence. Instead, as the title indicates, the story is about the psychological consequences of time travel. Future versions of an individual can co-exist. How do you cope with knowledge about your future self: who you marry, how you die? And finally, the book contains a cracking good mystery. Very entertaining.
This is a remarkable first novel that starts as a relationship story, a woman and a man having conversations. There are some early small instances of things that seem “off”, and the second half descends into a flat out sinister story leading to terror and fear. When you reach the end of the book, you appreciate that the title is very clever (what is ending?). This is an excellent albeit disturbing story; highly recommended.
This Giller short-listed first novel is fabulous. The setting is 1980. To obtain medical treatment for her partner who has been stricken with a virulent flu, Polly agrees to time travel 12 years into the future to work for the TimeRaiser Corporation to rebuild America. So this is debt bondage, a form of indentured labour. The issue of time is considered in two ways: more time for her partner and time in the sense of memory. Will Polly be reunited with her partner Frank in 12 years, when he will have aged and she will not? The future is decidedly dystopian and so this book successfully melds several genres: what will you do to survive a pandemic, the dislocating effects of time travel forward and the return to your home, social issues of income inequality, the power of memory and the complexity of enduring love. This is just excellent story-telling.
This first novel is an exemplary example of speculative fiction at its best. The story is complicated: time travel creating multiple alternate realities. And there is much philosophy about the nature of self, plus a love story to boot.
Enjoying a book chosen from a library shelf with no prior information is a wonderful experience. This is a very fine relationship book about complex issues, most seriously the conviction that someone is unlovable and unlikable because of bad things that happen in childhood. Eleanor has many issues like wildly inappropriate social skills, but a chance encounter with Raymond leads, slowly and haltingly, to a happy endpoint. There are some laugh-out loud parts but then some heartbreaking sections that will bring the reader to tears. This is Honeyman’s first novel but her writing is mature and reminiscent of Rachel Joyce which is high praise, in my opinion; highly recommended.
This is a novel created from a Canadian story – what happens to a boatload of Sri Lankans who arrive in Vancouver as refugees. The novel addresses a number of critical and important questions. What would you do to escape a deadly civil war? What would you reveal during the Immigration and Refugee Board hearings? How can the adjudicators determine what is truth from what might be lies or at least omission of facts? Part of what makes this book great is the detail of the chaotic refugee bureaucracy, and the ease of subverting refugee claims by politicians arguing that terrorists must be within the refugee population. So the context is vivid and important, and the three central characters are complex. Another remarkable first novel, this is the best of the Canada Reads books, in my opinion.