This is a very interesting first novel that is a Giller finalist. The story is about family, but family that is invented by mostly non-biological relationships. There is much dysfunction, some of it quite hilarious. The two adult men, Edgar and Oliver, are particularly reprehensible. The form if the writing is original and works very well until the final section where the literal subtext becomes annoying. Still, this is an insightful story about unconventional people.
A remarkable first novel that is a Giller finalist. The title page has the following warning: “Contains scenes of sexual, physical and psychological violence”, so reader be warned – this is not an easy read. The book is a gritty unforgiving character study of people in St. John’s Newfoundland, in part during a bitter February blizzard. There are lies and violence and much deception. The main charactes are for the most part completely unhappy. So this is a bleak look at a subset of contemporary society lonely despondent people without much hoe or optimism. I suggest that readers be aware of their own psychological mindset before embarking on this book; it is a rewarding story notwithstanding these limitations.
Ms. Tagaq is an Inuit throat singer and Polaris Prize winner in 2014. She can now add author to her artistic gifts. This is a remarkable first novel. There is the often difficult reality of living in Nunavut as a young person: endless summer sunshine, the dark and brutally cold winter, and human difficulties like substance and sexual abuse. And there is a magical imaginary component, sometimes based on dreams. Ms. Tagaq’s prose is accompanied by graphic poems and a few illustrations. Highly imaginative writing.
A sensational first novel for a number of reasons. The important characters are all women. Specifically, four women perfect a time travel procedure; there is no emphasis on technology, the reality of time travel is treated as a matter-of-fact occurrence. Instead, as the title indicates, the story is about the psychological consequences of time travel. Future versions of an individual can co-exist. How do you cope with knowledge about your future self: who you marry, how you die? And finally, the book contains a cracking good mystery. Very entertaining.
This is a remarkable first novel that starts as a relationship story, a woman and a man having conversations. There are some early small instances of things that seem “off”, and the second half descends into a flat out sinister story leading to terror and fear. When you reach the end of the book, you appreciate that the title is very clever (what is ending?). This is an excellent albeit disturbing story; highly recommended.
This Giller short-listed first novel is fabulous. The setting is 1980. To obtain medical treatment for her partner who has been stricken with a virulent flu, Polly agrees to time travel 12 years into the future to work for the TimeRaiser Corporation to rebuild America. So this is debt bondage, a form of indentured labour. The issue of time is considered in two ways: more time for her partner and time in the sense of memory. Will Polly be reunited with her partner Frank in 12 years, when he will have aged and she will not? The future is decidedly dystopian and so this book successfully melds several genres: what will you do to survive a pandemic, the dislocating effects of time travel forward and the return to your home, social issues of income inequality, the power of memory and the complexity of enduring love. This is just excellent story-telling.
This first novel is an exemplary example of speculative fiction at its best. The story is complicated: time travel creating multiple alternate realities. And there is much philosophy about the nature of self, plus a love story to boot.