A remarkable first novel that is a Giller finalist. The title page has the following warning: “Contains scenes of sexual, physical and psychological violence”, so reader be warned – this is not an easy read. The book is a gritty unforgiving character study of people in St. John’s Newfoundland, in part during a bitter February blizzard. There are lies and violence and much deception. The main charactes are for the most part completely unhappy. So this is a bleak look at a subset of contemporary society lonely despondent people without much hoe or optimism. I suggest that readers be aware of their own psychological mindset before embarking on this book; it is a rewarding story notwithstanding these limitations.
Two children, Evered (maybe age 12) and sister Ada (maybe 10) are orphaned after the sudden deaths of their parents and infant sister. And they are isolated on a rocky cove somewhere on Newfoundland’s northern coast. They live in almost total isolation with only the visit of a supply ship twice a year. Crummey’s brilliant descriptions of their numerous hardships becomes a profound story of resilience. But the title of this book is perfect, as these children are total innocents because of profound ignorance through lack of adult human contact. Importantly there is the strong bond of loyalty between brother and sister which becomes complicated with the onset of puberty and emerging sexuality. This is a brilliant book that I hope will be a powerful contender for the Giller Prize.
There are two parts to this book. The first is a cross-Canada road trip to visit Chinese-Canadian restaurants that feature the ubiquitous but non-traditional chop suey dish. This epic trip begins in Victoria and concludes with a memorable visit to a one-person Chinese restaurant in Fogo Island, NL. Just the encounter with Newfoundlanders would make this book with reading. But the second part of the book is the story of the author’s father, his early life in China and eventual immigration to Canada. At its core, this is a moving treatment of parental sacrifice. A great read.
This is an exquisite, enchanting book about Newfoundland written in two timelines: the early 70s and 1992-93 when people are fleeing the outports because the fish are gone. It is about family and love and the power of music: the title is perfect.
Johnston previously wrote The Colony of Unrequited Dreams about Newfoundland and Joey Smallwood. This new novel is a companion story and is much better because the central character, Sheilagh Fielding (a minor character in the earlier Smallwood book) is a fabulous creation; she has a clever mind, a caustic wit and a legendary sarcastic tongue. This is a Newfoundland story from 1916 – 1943, with a New York interlude. Fielding has a knack for controversies, for courting disaster; she is, in other words, a powerful person. There is also a creepy character in the shadows known only as The Provider. Excellent storytelling; thanks Kathryn for this recommendation.
A gritty angst-filled guy book set in West Newfoundland. The context – geography and people- is described perfectly. A father and son are paralyzed by grief, so they retreat and psychologically “run away” into a life of drink and anger. The book then becomes a murder mystery with deception and lies and misunderstandings. Annoying behaviour to be sure but the descriptions of the people in a fishing outport trying, usually badly, to have each other’s back is compelling. This is one of Morrissey’s best books.
A Canada Reads contender. The best feature of this book is the physical description of place, especially Newfoundland. The main character, Henry, is hard to feel much about, either positive or negative; his actions often seem confused, especially his relationship with Martha. The theme of Canada Reads this year was “starting over”. Henry’s journey involves several transitions but he doesn’t seem to grow or change that much. Overall, a very good book, deserving to be on the Canada Reads list, but not surprising that MWP was the first book to be voted off the competition.