A beautifully written story set in a small town in Washington state in 1986, a mystery about a missing person. Celona’s description of flawed family relationships is harrowing; guilt, shame, grief, and blame are all factors. The merciless weight of carrying secrets and the ongoing cost of keeping these secrets are dominant themes. And there is an intriguing treatment of an after-death perspective. Highly recommended.
In 2010, a very old woman, Vivian, receives a letter with a question: “If you now feel comfortable telling me what you were to my father?” Thus begins a long remembering of Vivian’s life, starting in New York as a 20-year old in 1940. Vivian is the epitome of white privilege, a delightfully hedonistic person with self-deprecating humour. The description of the NY theatre scene in the 40s is fabulous. Overall a recounting of both strong and toxic female relationships for a completely entertaining story. Thanks Amy.
Full disclosure: I love Anne Tyler’s writing. In this slim novel, she continues her theme of writing about ordinary but quirky people in Baltimore. Micah is a 42-year old man who lives a predictable life, constrained by precise patterns of behaviour. “Sometimes when he was dealing with people he felt like he was operating one of those claw machines on a boardwalk, those shovel things where you tried to scoop up prizes but the controls were too unwieldy and you worked at too great a remove”. Can Micah find happiness? Tyler describes funny and poignant situations with introspective wisdom.
What if you found an old mis-shelved fiction book in a University Library that contains an incident from your own life, described in perfect detail? This is the beginning of this wildly inventive novel and it gets better! Doors are painted on surfaces that become portals to an underground maze of tunnels and rooms filled with books/stories. Characters in reality interact with characters from stories, and time is very flexible. But this magical place is under attack and great quests ensue. Morgenstern’s writing is wonderfully imaginative; previously she wrote the fabulous The Night Circus (2011). Both books are must reads.
Amy adds; it’s a love letter to storytelling, and it gripped my heart.
The Nickel Academy was a notorious reform school in Florida; young African-American boys could be assigned for months-years for trivial reasons. And they were subjected to horrible abuse: beatings, sexual assault, etc. The story focusses on two boys in the early 60s, Elwood and Turner, who have remarkably different viewpoints. Elwood has ideals based on the words of Martin Luther King; Turner is a cynical schemer. Which boy is more likely to survive the Nickel nightmare? The Jim Crow era in the South in the 1960s has evils that are perpetuated in the current #BLM times. Whitehead won the Pulitzer Prize for his previous book The Underground Railroad: both are highly recommended.
Two African-American twin sisters grow up in rural Louisiana in the 1950-60s with a unique feature – they are very light-skinned. Eventually their lives separate because Stella chooses to live as a white woman. In the 1980s, the daughters of the estranged sisters (one black, one white) meet by chance. So this is a relationship book: twin sisters, mother-daughters, cousins. Of particular interest is the strained and curious relationship between the two cousins which drives the latter half of the story. This is a really excellent identity book with a story line that is never trite or stereotypical – highly recommended.
A gritty contemporary story: a woman and her 8-year old son flee cartel violence in Acapulco with the goal of a new life in the USA. What follows is a perilous journey with some heart-breaking violence, theft and sexual assault, tempered by some extraordinary acts of kindness and compassion. This book has been controversial because of criticisms of cultural appropriation and stereotypical presentations of the largely Mexican characters. My limited frame of reference does not permit me to judge this issue. In my opinion, Ms. Cummins has a voice that deserves to be heard; others can judge the truthfulness and veracity of her story.
What David Read 