Clara, age 7, lives in Northern Ontario. It is 1972 and Clara has two responsibilities: to keep vigil for her runaway 16-year-old sister and to look after the cat in her neighbour’s house while Mrs. Orchard is in hospital. But then a strange man occupies Mrs. Orchard’s house! Three distinct storylines emerge, each with differing timelines, But this is Clara’s story: fear, love, resilience, a child’s imagination when truth is withheld. Lawson is a literary master; her previous book Crow Lake is equally compelling.
This short book by an Indigenous author is amazing for many reasons. First there is a mystical element for sure. But mostly the story is notable for describing an emotional state: the moment when 10- and 12-year-old children realize that life can be cruel and unfair; their abrupt loss of innocence is coupled with the realization that their parents and people in authority are powerless to circumvent an injustice. This story will produce tears and at times a heartbreaking sadness so be warned but endure and read this remarkable book.
An intriguing speculative fiction story set in 1970-80s England. When Lauren dies accidentally at age 13, she reappears in an alternate reality; new lives also begin for her parents. Lauren has glimpses of her former lives, that she has slightly different mothers, for example. By her third life, these glimpses of her previous two lives become increasingly disturbing. This is an imaginative look at loss and grief.
This intriguing novel begins in 1969 when four siblings (13, 11, 9 and 7 years-old) consult a psychic who allegedly tells them individually the day of their death. What follows is a narrative of each sibling that asks a series of questions. What is the nature of belief? Can fate be pre-ordained? What is the line between destiny and choice? Is there a link between reality and illusion? Is there real magic? At its core, this is a family love story even though the siblings appear to be remarkably different, creating complicated complex characters. This is very imaginative story-telling.
Karen, recently divorced, returns to her childhood home in Nova Scotia after her mother’s death, to care for her developmentally-disabled sister. Karen is understandably over-whelmed with grief and the difficult care of her sister. Thus she gratefully accepts extra assistance from Trevor, one of her sisters care-givers. So she is susceptible to manipulation and Trevor is a master manipulator. Accordingly, this is a masterful and entirely creepy character study of human frailty.
This remarkable book is about two young people in Washington DC. Niro is a 17-year-old African-American who is graduating from High School and then on to Harvard. But Niro has a painful secret – he is gay, a wicked abomination to his conservative Nigerian parents. Niro’s best friend is Meredith but she is unable to provide Niro with the help and support that he needs. Niro is emotionally lost and conflicted with heartbreaking self-loathing and his relationship with Meredith comes to a tragic ending: powerful storytelling.
Gowdy is a masterful writer (Fearless, Falling Angels, The Romantic); she is an under-appreciated Canadian treasure. Little Sister is a fine addition to her collective works, a story about the female psyche and an existential story about entering (not observing but actually entering) another body. There is a grief subplot that is very compelling. Simply put, just excellent writing and story telling.
A winter storm in New York brings together three distinctive characters: an American man nearly destroyed by grief and guilt; a Chilean woman survivor of the Allende aftermath in the 1970s; and a young undocumented woman from Guatemala. A fairly simplistic plot device allows the compelling back stories to emerge with Allende’s characteristic story-telling which is evocative. Each of the three characters has experienced tragic and sorrowful events, and yet there is hopefulness in a story contains unexpected romance and love. Allende is a treasure, and this novel is a very worthwhile read.