Bechdel has constructed a graphic novel that is quite remarkable. A narrative appears above the illustrations which amplify the expressiveness of the drawings. This book is an autobiographical account of growing up in the 1960-70s, in a gothic house lovingly restored by her emotionally-absent father, next to the family-run “fun(eral) home”. Family life is built on secrets, and artifice. Key pivotal life changes occur in 1980, the (suicidal) death of her father and Bechdel’s declaration of being a lesbian. The depth of understanding and insight revealed in this graphic novel is stunning. An expressive story like this will go far to counter-act the frequent dismissal of graphic novels as not having literary merit.
Thanks Karen, for recommending this great book.
Erdrich has written an intriguing dystopian story set in the near future. The precipitating cause is biological but vague, a sort of reverse-evolution. Lack of information is critical, and so the book’s focus is on one pregnant woman. In other words, the story is not so much about the cause of the collapse of society but rather the implications for one person. I was reminded of Cormac McCarthy’s brilliant book The Road, where we never learn about the catastrophic event, just the aftermath. Erdrich is a wonderful story teller. This book has a significant Indigenous focus, albeit less than LaRose. Overall, this is an original dystopian thriller – highly recommended.
This is a fascinating book. The central character is never named: she is an author, divorced with two sons, and renovating a new home in London. Almost nothing else is revealed in the book. She listens carefully to conversations and sometimes asks cogent questions so we learn much about the speaker but nothing about the listener. Many conversations are wonderfully philosophical. The writing is elegant: “Amanda has a youthful appearance on which the patina of age was clumsily applied, as if rather than growing older, she had merely been carelessly handled like a crumpled photograph of a child.” There is also a wonderful description of authors attending a literary festival. This book (Giller short-listed) is much better than her previous book Outline (also a Giller finalist in 2015).
A winter storm in New York brings together three distinctive characters: an American man nearly destroyed by grief and guilt; a Chilean woman survivor of the Allende aftermath in the 1970s; and a young undocumented woman from Guatemala. A fairly simplistic plot device allows the compelling back stories to emerge with Allende’s characteristic story-telling which is evocative. Each of the three characters has experienced tragic and sorrowful events, and yet there is hopefulness in a story contains unexpected romance and love. Allende is a treasure, and this novel is a very worthwhile read.
Strout wrote the incomparable Olive Kitteridge (Pulitzer Prize) and the very fine 
This is a fantastic book, a remarkable first novel that was long-listed for the Giller, and that, in my opinion, is much better than some of the books on the Giller short list. Full disclosure: this is a relationship book which everyone who reads this blog knows is my favourite topic. The story is about psychological intimacy, a couple that evolves to a consensual three-some and eventually to a four-some. The book is beautifully written with sub-headings like “Questions” and “Answers” and “What Kathryn Wants”. This is a delightful read about complex relationships with a brilliant ending – highly recommended, one of my best reads this year.
Egan won the Pulitzer Prize for her novel A Visit From The Goon Squad, and this new historical novel is a gem. Set in the depression-era 30s in New York and then in the naval shipyards in Brooklyn during World War II, the details of place and context are impeccable. The human relationships are a rich blend of secrets, lies and desertion, of love and lust. The writing is dramatic – part of the book describes so clearly the claustrophobic and oppressive world of diving which is also liberating. But it is the complex human dynamics the drive the story, with a very satisfying ending. This is a must-read book, in my opinion.
This is an imaginative book set in and around Toronto’s Kensington Market. The core of the book examines an existential question: is a doppelgänger real or a figment of imagination? How can a hallucinatory state be distinguished from reality? Redhill has written a darkly comedic and thoughtful book that justifiably has been placed on the Giller short list.
McDermott is a superb writer, Anne Tyler-like in her precise descriptions of place and emotions. In this new novel, the place is Catholic Brooklyn in the early part of the 20th century, specifically the tenements. Key characters are the Sisters who visit and minister to the poor, elderly and sick, a vocation that is implicit in their Order’s name, the Little Sisters of the Sick Poor. There are two mortal sins that dominate the lives of Annie, a single mother, and her daughter Sally. The first mortal sin is the suicide of the husband/father: ..”he stepped off this grey life – collar and yoke – not for lack of love, but for the utter inability to go on, to climb, once again, out of the depths of a cold February day, a dark and weary afternoon”. Sally performs what she perceives as an act of penance to mitigate a second mortal sin committed by her mother. The actions of the Sisters, the context of working in a laundry with sighs, sounds and smells – everything is described perfectly. Overall, an introspective intelligent book about the limits of love and sacrifice. Also recommended is McDermott’s previous book, 
What David Read 