This is a superb book, a mystery in the John LeCarre mold. Secrets abound: What will someone do to survive in a genocidal war? Was do we really know about a father when he goes missing? The setting is contemporary Toronto with topical issues like Jihadist recruitment. The back-story is the tragic conflict in Lebanon from 1976-83=2. Unanswered questions are rampant – this is just great writing, in part about journalism: can the truth ever be revealed.
This is a remarkable book about a second American civil war (2075-95). The power is in the chilling demonstration of the cost of war to common people; this is not a story about soldiers. This war is driven by ecological issues and extreme partisanship, so very topical and prescient. Above all, this is a tough angry story about revenge and retribution. This is a debut novel that should be a formidable Canada Reads contender.
Chabon has written many imaginative novels: The Yiddish Policeman’s Union, Telegraph Avenue, etc. Moonglow is a fictionalized memoir, ostensibly based on his grandfather’s life. The writing is superb: his grandfather’s experiences in WWII and a lifelong interest in rocketry; a poignant story of his grandmother’s mental illness. A powerful aspect of the story telling is the consequences of keeping secrets and telling lies. This is an excellent read; thanks Renee, for this recommendation.
I read these two books back-to-back so my comments will be combined. My friend Hilary introduced me to this author, described as a master of Nordic Noir. The best aspect of these two books is time and place. Both books are set in Northern Sweden where Norway and Finland converge. WW takes place in 1717; MS takes place in the same location 140 years later, in 1856. Living in this isolated setting is exacerbated by weather: bitter winter cold in WW and insomnia for one key character in MS due to continuous summer sunlight. In both books, murders are committed and solved by amateurs, the inhabitants (settlers) in WW or visitors in MS. The chief protagonist in WW is Maija, a woman with two children struggling to survive in the absence of her husband. Both books, but especially WW, have a mystical element (the old religion, aka witchcraft) from the wandering Lapp inhabitants of the region (now Sami). Both books are highly recommended.
De Bernieres wrote the delightful Corelli’s Mandolin, and his latest book is also excellent. The setting is Britain in 1914. The horror of WWI, the mud and stink and brutal death, is described vividly. Also, very precise details of flying are detailed. But this is a book about relationships within the McCosh family, in particular the 4 sisters. At times, the book is a tender love story that also touches on grief and religion. The relationships are often complicated: a sister loves someone who does not love her in return, and vice versa. There is some wry humour, particularly the class-conscious matriarch Mrs. McCosh who should be played by Maggie Smith if this story is ever adapted for film or theatre. Overall, a very entertaining story.
An astonishing book: the seduction by an evil person, the desperate lives of the displaced and dispossessed. The title refers to a 2012 commemoration of the siege of Sarajevo: 11,514 red chairs were placed in rows, one for each person killed in the siege that lasted for almost 4 years. What is remarkable about this book is that it is an Irish woman, Fidelma, who is the central core to the story which takes place in Ireland and England. Thanks Mike, for this recommendation.
This is a brilliant book, winner of the 2016 Pulitzer Prize for Fiction, about the aftermath of the Viet Nam war from the point-of-view of Vietnamese people. The narrator is a Communist double agent who flees to America after the fall of Saigon, and then returns to Viet Nam to be subjugated to the extreme brutality of a Re-Education Camp. This book has a brilliant presentation of politics and ideology, moral ambiguity, and the existential crisis of leading a double life that is complex, compelling and frustrating. The legacy of war is presented in graphic detail.