Banville is a superb writer, a Booker Prize winner. This book is a mystery, so the key elements are time (early 1950s) and place (Dublin and Northern Spain). Banville writes beautifully descriptive phrases; a character is described by “petulance was a pastime”. With such good writing, the plot exposition becomes subtle and effortless – very enjoyable.
The fourth Cormoran Strike book has a complex plot and, as in previous books, the evolving relationship between Cormoran and his associate Robin is central to the story. In many ways, this is a superb procedural book: how are clues discovered and interpreted? The procedural emphasis is reminiscent of Michael Connelly’s detective Harry Bosch. But the real joy in this Galbraith book is how Cormoran and Robin interact, how ideas and theories are discussed and debated (much like Inspector Lynley and Havers in the E. George mysteries). Both characters are completely dissimilar and have some significant human frailties that are often endearing. Finally the choice of certain words requires the use of a dictionary, a delicious practise that I find completely satisfying. Violence is minimal; this is an excellent book about plot and motive.
This is a wonderful book, written in 1952 describing events in London in 1949 so the dense toxic London fog is a prominent feature. The writing is fabulous with words like lugubrious (full of sadness or sorrow). Although this book is identified as a Mr Campion Mystery, there is little emphasis on the police. Instead the psychology of different individuals (criminal and non-criminal) is described in detail: what is goodness and what is evil. This is a totally fun read; thanks Amy*!
*Amy says: “Erin and I picked it up in one of those wee community library houses on the way to the Folk Festival – sheer luck that it was good!”