Category: family

Fayne – Ann-Marie MacDonald

Full disclosure: this sweeping sage is long (722 pages) but Ms. MacDonald’s exquisite writing makes the reading very worthwhile. The setting: Fayne, an estate straddling the border between England and Scotland. The time: late 19th century. The main players: Lord Henry Bell and wife Mae, and children Charles and Charlotte. The story is rife with family secrets, with cruelty and cowardice in male-female and father-child relationships. A shifting timeline accentuates the drama: highly recommended. 

PS: A-MM wrote the wonderful Fall On Your Knees a long time ago.

Homecoming – Kate Morton

In 2018, Jess is an almost 40-year-old who returns to Australia because her elderly grandmother Nora has been hospitalized after a serious fall. At Nora’s house, Jess learns about the Turner Family Tragedy of 1959: the death of Nora’s sister-in-law and her three children in South Australia. Is this a murder-suicide by a distraught mother? What are the family lies designed to protect the ones we love? The story becomes an exciting crime drama that is a compelling read.

Junie – Chelene Knight

First, the context: East-end Vancouver from 1933-39, an area called Hogan’s Alley which is home to Black and immigrant communities. At its core, this brilliant book is about complex mother-daughter relationships: Junie and her jazz singer mother Maddie, and Estelle and her mother Faye. As Junie progresses from age 13-19, her artistic talents bloom despite a disquieting reality. Thanks Amy, for this recommendation: highly recommended.

The Night Travelers – Armando Lucas Correa

An angst-filled story of 4 generations of women: sometimes daughters have to be sent away to save them.  What are the motivations of the mothers? Lilith, an 8-year-old mixed-race child (mischling), is sent from Germany to Cuba in 1939. Her daughter, Nadine, is born in 1959 in the midst of the Cuban Revolution and must be sent to the USA at age 3. Nadine and her daughter Luna complete the research of family endurance and sacrifice.

The Winners – Fredrik Backman

This fabulous and long (670 pages) book concludes a trilogy: previous books were Beartown and Us Against You. Backman’s writing is both heart-warming and heart-wrenching. Two remote forest towns (in Sweden but could be Canada) are intense rivals in hockey and politics. There are two funerals, impending violence and intimidation, and a ferocious summer storm. Backman’s writing is often philosophical: what it means to experience fear, for example. Be warned, the story is very emotional with complicated relationships, especially within families; expect to experience extreme sadness (and tears) when confronting loyalty, friendship and loss.

This Is How We Love – Lisa Moore

Ms. Moore is a very fine writer (February, Caught) but this is her best book to date. A multi-generational story set in St. John’s creates a superb relationship book, of mothers mostly and children who are loved, neglected, lost and re-found. What makes a family? Do we ever really choose who we love? Warning: there is violence, a stabbing. And much of the story takes place in a legendary winter storm, a snow-mageddon! Overall: a rich tapestry of the sacrifice, pain and joy of loving, for tour-de-force storytelling.

Jones – Neil Smith

Abi and Eli are siblings, Abi the elder by two years. They share a special communicative relationship, more typical in twins. Their story concerns growing up in a dysfunctional family; in fact, family is described as the f-word. This is a difficult book to describe, other than it is wonderfully written and is highly recommended albeit with a warning that there is violence and abusive parental behaviour. Some dreadful actions are balanced with amazing humour. The outcome is absolutely stunning in its complexity and honesty. Note: I have just heard Neil Smith speak twice at Calgary’s WorldFest, making it even more important to read this book.

Good Moms On Paper – Edited by Stacy May Fowles and Jen Sookfong Lee

Twenty essays about motherhood by (obviously) women authors: struggles with work-life balance, feeling fraudulent as both mother and writer, and creative compulsion – powerful themes with insightful thoughts. Essays cover both biological and adoptive parenting, new mothers, and relationships with the essayist’s mother. Heather O’Neill writes “being a single mother working on a novel is like asking a clairvoyant to book a ticket on the Titanic – it’s a bad idea”! Highly recommended.

The Strangers – Katherena Vermette

Like the companion novel The Break, this book begins with a Trigger Warning. The Strangers are a multi-generational Metis family living in Winnipeg: the story focusses on grandmother Margaret, daughter Elsie and children Phoenix and Cedar. Powerful emotions characterize these women: anger, shame in addictions, feeling invisible. Reflecting on sad stories, Margaret concludes (page 316) that “only Indians, Metis … had sorrow built into their bones, who exchanged despair as exclusively as recipes, who had devastation after devastation after dismissal after denial woven into their skin”. Compelling sentiments in the setting of important and necessary stories – a must read for all Canadians.