Patchett is a great writer and this latest book is a wonderful story of what appears to be entirely dysfunctional families. A blended family with step-children united in their dislike of their parents, and each other, is described wonderfully. Then over 5 decades, relationships change and evolve. A favourite sentence that encapsulates how relationships change: “She had loved Bert Cousins, and then grown used to him, then was disappointed in him and then later, after he left her, with five small children, she had hated him with the full force of her life”. Wow.
The Lola Quartet – Emily St. John Mandel
The steamy heat of Florida is the setting in which people make bad decisions and lives spiral downwards: the consequences of lies and deception produce weariness and desperation. This is very good story telling by the author of Station Eleven.
Swing Time – Zadie Smith
An un-named narrator tells a story that alternates between two times: childhood in NW London in the 1980s, and adulthood in the 2000s. All the important relationships in the narrator’s life are with women: her mother, her friend Tracey, and her employer Aimee, a Madonna-like rock star. A sub-plot in Africa is especially rewarding. Smith’s prose is insightful, she is an acute observer of the narrator’s world. This is sensational writing, the best of Smith’s books so far.
In Between Days – Teva Harrison
This is a fabulous book, with drawings and short essays about living with stage 4 breast cancer at age 37: sadness, wisdom, hopefulness and sometimes despair. The emotions are honest – this is a book that should be read by everyone. I have had the great good fortune of listening to Harrison twice at book panels: she is a remarkable person.
The Hidden Keys – Andre Alexis
I, like many others, was conflicted over Alexis’ previous book 15 Dogs, despite all the awards. In contrast, this new book is a delight – a mystery and a heist caper. The characters are a treasure, each vivid and unique. And like De Wit’s Sisters Brothers, there is some philosophizing over good and evil, so overall, a very entertaining book.
Party Wall – Catherine Leroux
This is a really excellent book, not surprising since this was a Giller finalist. The chapters are all about pairs, for example, two sisters. But some of the pairs are not what they seem: a husband and wife, a mother and son, and a brother and sister. There is a strong sense of place but not of time. And finally, lives begin to intersect. This is dazzling writing and exceptional translating (the translator won a Governor General’s Award), so a “must read”.
The Piano Maker – Kurt Palka
This is a wonderful example of superb story telling: France up to WWI, then Quebec and New Brunswick. Both piano making and piano playing, and a compelling adventure story in an Alberta winter and finally a criminal trial. And best of all, there is a strong female character, Helene.
The Transcriptionist – Amy Rowland
This book is a gem, a short but meaningful book about loss and finding one’s place in the world. First, it is a very New York book. But it is mostly an existential book. Lena is a transcriptionist at a prestigious newspaper; her job is to transcribe dictation, a job that is disappearing in 2001. Thus, Lena is looking for meaning in her life, a quest that is precipitated by chance encounter with someone on the subway. A very good read.
The Japanese Lover – Isabel Allende
A story of inter-woven lives, mostly in San Francisco: a young woman from Moldova, a Polish woman who escaped from Germany in 1939; a Japanese gardener interned during WWII. There is a powerful love story, what love can overcome and what love cannot overcome. As always, Allende’s writing is beautiful – an example from the end of the book: “In the darkest hour of the night, that mysterious hour when time thins and often the veil between this wold and that of the spirits is drawn back, the guest Alma was waiting for arrived at last”.
