April 2013

  • Lionel Asbo (Martin Amis);
  • Bone and Bread (Saleema Nawaz; complex relationship between sisters in a story set mostly in Montreal’s Mile End);
  • How To Be A Woman (Caitlin Moran; stories about growing up in England, alternating between hysterically funny and insightful/poignant);
  • The Tiny Wife (Andrew Kaufman; only 85 small pages but such an imagination)

Best of 2012

  • Night Circus (Erin Morgenstern): magic and reality are integrated
  • The Informationist (Taylor Stevens): excellent adventure/mystery; intriguing central character; set in Africa
  • 1Q84 (Haruki Murakami): outstanding; real imagination
  • Dancing Lessons (Olive Senior): really excellent; introspection into roles as woman/wife/mother; failure to communicate; perception/reality
  • Something Fierce (Carmen Aguirre): Giller winner; emotional cost of being a child of revolutionary parents in South America
  • The Art of Fielding (Chad Harbach): baseball as a metaphor for guy relationships and the pursuit of perfection
  • Canada (Richard Ford): excellent
  • By Blood (Ellen Ullman): really interesting book about identity, adoption, Jewish heritage
  • Gone Girl (Gillian Flynn): really excellent psychological who-dunnit; best book in 2012
  • Hanging Hill (Mo Hayder): excellent murder mystery set in Bath and SW England
  • Defending Jacob (William Landay): legal thriller, about the possibility that a son is evil; really excellent