This is a deceptively simple and subtle book about family. The key characters are siblings, Danny and Maeve. There are some astonishing acts of cruelty in their early life but also acts of transcendent kindness. Danny is someone who lacks introspection – he commits to a task like learning chemistry with dogged determination; liking the subject is irrelevant. Unfortunately, he applies the same approach to his relationships, i.e. his wife, so love and happiness are non-factors in his relationships. His true happiness is only expressed to and with Maeve. Consequently, forgiveness is difficult for him, a fact that will complicate his life. Like most of Patchett’s writing, this is very fine story-telling.
A remarkable first novel that is a Giller finalist. The title page has the following warning: “Contains scenes of sexual, physical and psychological violence”, so reader be warned – this is not an easy read. The book is a gritty unforgiving character study of people in St. John’s Newfoundland, in part during a bitter February blizzard. There are lies and violence and much deception. The main charactes are for the most part completely unhappy. So this is a bleak look at a subset of contemporary society lonely despondent people without much hoe or optimism. I suggest that readers be aware of their own psychological mindset before embarking on this book; it is a rewarding story notwithstanding these limitations.
Ms. Tagaq is an Inuit throat singer and Polaris Prize winner in 2014. She can now add author to her artistic gifts. This is a remarkable first novel. There is the often difficult reality of living in Nunavut as a young person: endless summer sunshine, the dark and brutally cold winter, and human difficulties like substance and sexual abuse. And there is a magical imaginary component, sometimes based on dreams. Ms. Tagaq’s prose is accompanied by graphic poems and a few illustrations. Highly imaginative writing.
This story begins simply with the reading of the will of an often absent and thus mysterious husband/father. But there is an unusual condition in the will: the family must live for a month in an isolated forest lodge in the Pacific Northwest before they can inherit a substantial estate. What could go wrong? And there are surprises. And more surprises that increasingly seem sinister, until secrets produce fear and much more. Is every part of the Quinlan family life a fabrication? Brilliant writing.
Regular readers of this book blog know that I have a specific affection for introspective relationship books. This book by Ms. Ohlin is a perfect read, in my opinion. The story enters on two sisters, Lark and Robin, from their early childhood in Montreal and their complicated relationship with their mother Marianne, to adulthood in New York and the Laurentians. Lark is the main character, someone who hopes that silence will produce invisibility. The story contains vivid descriptions of art, music and film, motherhood and even wolves. The writing is divine; highly recommended.
A sensational first novel for a number of reasons. The important characters are all women. Specifically, four women perfect a time travel procedure; there is no emphasis on technology, the reality of time travel is treated as a matter-of-fact occurrence. Instead, as the title indicates, the story is about the psychological consequences of time travel. Future versions of an individual can co-exist. How do you cope with knowledge about your future self: who you marry, how you die? And finally, the book contains a cracking good mystery. Very entertaining.
This is a really excellent novel set in contemporary England. The core of the story is a complicated mother-daughter relationship but it is much more: the use of a private language and a river creature and supplemental characters. The timeline is an interesting feature of the story telling. Johnson’s writing reminds me of Sarah Winman, so high praise.