Thien has written some fine books (Dogs At The Perimeter, Certainty), but this new book is her best yet – an epic story of China. The evocative writing describes the agony of the Cultural Revolution in the 1960s leading up to the horror of the Tiananmen Square massacre. There are three central characters that are linked by their passion for music.
The coda at the end of the book describes the first time a lost composition for violin and piano is played: “At first, the violin played alone, a series of notes that slowly widened. When the piano entered, I saw a man turning in measured elegant circles, I saw him looking for the centre that eluded him, this beautiful centre that promised an end to sorrow, the lightness of freedom. The piano stepped forward and the violin lifted, a man crossing a room and a girl weeping as she climbed a flight of steps; they played as if one sphere could merge into the other, as if they could arrive in time and be redeemed in a single overlapping moment. And even when the notes they played were the very same, the piano and violin were irrevocably apart, drawn by different lives and different times. Yet in their separateness, and in the quiet, they contained one another”.
This book has great story telling with some transcendent writing – highly recommended.
Sarah and I were introduced to Tammet as an interviewed author at the 
This is a very fine book by one of Alberta’s best writers. First the settings of a 1960s farming family next to a sour gas plant in Southern Alberta and contemporary Fort MacMurray are described perfectly, especially the farming story. And second, the complex relationships are rich with nuance: husband-wife, parents-children, siblings, and so forth. This is excellent story telling on an increasingly relevant topic.
After the death of her husband, Frances begins to chronicle her life, her confessions, from marriage in the 1960s to 2006. She has been a Latin teacher so there are lovely passages about learning Latin in Italy. Her spiritual conversations (NOT confessions) with a Catholic priest provide a surprising element, along with some dialog with God. This is a very good read.
This is Ishiguro’s first novel (published in 1982) and has the features that characterize some of his later books: a curious early fact (in this book, on page 17) that is just odd, and that is explained much later. This story switches between post-WWII Nagasaki and later England. Enigmatic relationships between characters abound, and MUCH is left unsaid in this short novel. If you like/love Ishiguro’s later classics (Never Let Me Go, 
Smith was a chance discovery by Sarah and I as part of an interview of three authors at the 
This is a fabulously imaginative book that has the following sub-title: “A progressively lipogrammatic epistolary fable”, so consult your dictionaries to also learn about panagrams. At its core, this is a cautionary tale about the evolution of institutional madness which is pertinent in this Trump world.
Bill Stoner lives a remarkably passive life characterized by: (a) a disastrous marriage, and (b) a 20-year feud with his University English Department Head. Indeed, the description of University politics is perfect. He has one brief period of passionate love that is doomed by his naivety. The ending of the book has transcendent writing. This is an excellent read; thanks Sarah for this recommendation.
What David Read 