This remarkable first novel is a Giller finalist. The story starts in Cairo in the 1960s, and eventually includes a Montreal sojourn. Plot details are unnecessary. Suffice it to say this is a love story when a chance encounter leads to obsession. The writing is beautiful; a simple action like the lighting of a cigarette becomes poetic, or when describing Cairo’s heady olfactory aura creates a visceral sensation. This is a must-read book, in my opinion.
Category: Giller Longlist
The Double Life of Benson Yu – Kevin Chong
The author of the prescient The Plague has now written an inventive story of metafiction. The narrator/author creates a fictional version of himself as 12-year-old Benny living in 1980s Vancouver Chinatown. Accordingly, there is a blend of reality and invention. What if the author loses control of the narrative? Consequently, the story is often confusing because of two timelines, and thus can be frustrating. Some complex themes of child sexual abuse and suicidal ideation abound. This original story is deservedly on the Giller long-list.
Hotline – Dimitri Nasrallah
A Giller long-listed book and a recent Canada Reads contender: Muna is a widowed single mother who escapes to Montreal in 1986 from Beirut. What follows is a one-year struggle to find work as an immigrant, to help her son Omar adjust to a radically new environment, to survive her first winter, and to overcome marginalization and prejudice. A compelling story.
Butter Honey Pig bread – Francesca Ekwuyasi
A superb relationship book set mostly in Nigeria with some Canadian content. The memorable characters: a mother with an uneasy existence with the spirit world, and her twin daughters. The twins exhibit a special closeness but also a requirement for space away from each other, especially after a childhood trauma to one of the twins. And one of the daughters has an apparition to consult with and offer comment. An interesting feature of the story is that the context is Nigeria of privilege. There is lots of Nigerian cooking too. From the Giller long-list.
Greenwood – Michael Christie
A sweeping saga of four generations of the Greenwood family, told more or less backwards from 2038 to 1908. What is most interesting in the story-telling is that the Greenwood family is a construct. Two orphans are raised as “brothers’ but have no biological ties; a “daughter” is rescued and adopted into the family under mysterious conditions. Even the name Greenwood is an artificial construct, a name arbitrarily applied to the two (unrelated) orphans. The story has a strong ecological focus, from the dirty-thirties to a global ecological disaster called the withering in 2028. Very strong character, a vivid description of place – highly recommended.
